So, that\u2019s basically where I was in terms of the arts. Everybody in the arts reads this history and knows these critiques, what the constructivists and people like George Grosz were talking about, they know the critiques of Warhol and pop art and the whole thing about Warhol being anti-authenticity. And yet the Warhol foundation will sue you if you print one of his copies of a Coca-Cola logo? I mean, it makes absolutely no sense, right? The art industry just keeps going, business as usual, despite everybody knowing all these critiques about creativity and stuff being bullshit and I thought, well fuck that. But you know, culturally speaking, music is even worse. Because in the world of music, those critiques of authenticity and authorship and originality haven\u2019t even made it to the public sphere. And even people in the visual arts who completely understand from a critical perspective the notion of originality and authenticity being bullshit, they still believe in the authenticity of the blues musician or things like this. So basically what I\u2019ve been doing in my work in the audio field is just performing the failures of those critiques that didn\u2019t take hold in the arts and just repeating those failures in the music industry, knowing that the critiques of authenticity, of authorship, of originality will just fall on deaf ears.
Dj Sprinkles Midtown 120 Blues Rar
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